Helena-May Harrison

helana_frank_paddieHelena-May is a Multi-Genre Vocalist and Musical Theatre Actress. Having just signed with Byron’s Management in London, she’s planning her move to ‘the big smoke’. Since training at Royal Welsh College of Music and Drama in Cardiff graduating with a Masters in Musical Theatre, Helena-May has worked extensively as a live/session vocalist. Credits include live/studio work with rock bands Thunder and The Union; UK touring Pink Floyd tribute, Think Floyd; 1940’s close-part harmony female trio, The Siren Sisters.

Her band, Man May’d, supported the Kokomo 2014 London dates. Dyan Birch had not been well at the start of these dates and had to drop out of the Half Moon show.  Helena-May stepped up to the challenge after a rehearsal at the sound check, and has done every Kokomo gig since. Forever is now back in the set, sung by Helena-May.

Check out Helena-May’s own web site and her facebook page.

Review of The Stables show by Pete Lawrence

Thanks to Pete Lawrence for his review of the show at the Stables. “At The Stables there gig was a joyous celebration of all things soulful and funky. Absolute highlight was the Frank Collins led cover of Aretha Franklin’s gospel opus ‘With Everything I Feel In Me’.. spine-tingling brilliance. “ Read the full review

Half Moon, July 2017

These two gigs were pulled together at short notice but got a good turnout nonetheless. The best news was that Jim is back, and was on top form. However, Paddie couldn’t make it, so Charlotte Churchman stood in and did a great job, and brought a number from her repertoire – Stevie Wonder’s “What’s the

Half Moon, July 2017

Rise & Shine and What’s the Fuss from the Wednesday night. More to come!

Half Moon, October 2016

A few numbers from the first of two great nights at the Half Moon, October 2016

The Half Moon, Putney – 14-15th October 2016

By general agreement, these were the best gigs since the 2014 re-union – two sold-out nights with crowds in the weekend mood helped. For the record, Mel Collins was back on sax (“Bet you don’t get a reception like that with King Crimson” said Frank), and Andy Treacey from Faithless was on drums. Two ‘new old’ songs were in the set: “What You Waiting For” (AKA Turn Up the Microphone”), an obscure Norman Whitfield disco track originally recorded by Stargard (video from the night here), and the Quincy Jones number “Stuff Like That”.

Read Craig Chaligne’s review on Louder  Than War (he liked it).

Thanks to Steven Cropper for these great photos. Check out the rest of his work at www.transientlife.uk


Lonely Town, Lonely Street

From the the first of two sold-out nights at Half Moon, 14 October 2016